I was practicing the kata Tensho recently – actually one of my favorite kata – and it got me thinking about its many variations. Not because it looks impressive, or because there’s a lot going on. In fact, it’s the opposite. There’s very little there on the surface. The movements are small, controlled, and repetitive….
Category: Masters
One Day With a Great Teacher?
Better than a thousand days of diligent study is one day with a great teacher. It sounds right. It feels right, and most people accept it without question. But taken as it stands, it isn’t quite true. There’s no doubt that teachers can change the direction of someone’s training. Most of us can think of…
Applications – You Have to Find Them
Before I get into this article, here’s a question. As a child, who taught you to walk? Many of us want to understand the movements in kata, and there is an assumption that someone will show us what they mean. The reality is that being shown is not necessarily a requirement, and in many cases,…
What Survives at 95?
I watched a 95-year-old Okinawan Uechi-ryu master recently performing Sanseiryu, Shintoku Takara, and it stayed with me longer than I expected. Not because of anything dramatic, but because of how little seemed to be happening on the surface. There was no urgency, no obvious effort, and none of the exaggerated movement that people often associate with…
The Signal and the Noise: Finding Quiet Power
In a previous article I wrote about the exaggerated movement you see in kata, the overuse of the shoulders and torso – that’s noise. If that’s the noise, then this is the signal. To understand the difference, you have to look at how weight is being used. Most people focus on what they can see…
When Something Changes in Your Training
After decades in the martial arts, something changes. You’re no longer just repeating what you were taught. Is spending decades in the martial arts – learning and teaching across several styles – enough to shape your own method? I wonder why this is frowned upon. Much of it likely comes from the McDojo culture, where…
Reflections on Kata: Why Kata Does Not Show the Setup
I’ve been watching this for years. Someone takes a piece of kata and immediately tries to turn it into a neat sequence. This is the attack, this is the defense, this is what comes next. It all lines up nicely, and on the surface it makes sense. But the more you look at it, the…
One of the strangest claims still repeated in karate is that throws do not belong in the art. And yet the historical record says otherwise. Gichin Funakoshi himself documented throwing methods, and senior figures have long acknowledged their place. The issue is not whether throws existed in karate. The issue is why so many modern…
Was Itosu Preserving Karate – Or Changing It?
I’ve been looking at Anko Itosu’s 1908 letter again. It’s one of those documents people often cite. But if you look past the standard translations, I’m not sure the letter says what people think it says. Itosu was in a difficult position. He wanted karate in the school system, which meant he had to make…
Movement, Not Technique
Many karate practitioners are taught to think in terms of techniques. Movements are labeled, categorized, and assigned a specific purpose. One technique blocks. Another strikes. Another performs a different function entirely. Over time this can create the impression that karate is a large collection of separate techniques, each designed to solve a specific problem. When…
Why Karate “Blocks” Don’t Work the Way We Think
One of the first things you learn as a beginner is a ‘block’, right? Typically, it’s one of these: upper, middle inner, middle outer, or a down block. You spend a significant amount of time practicing these blocks, focusing on the small details, making sure your pulling hand (hikite) is positioned perfectly, all performed with…
What ‘Style’ Originally Meant in Early Karate
Choki Motobu once remarked that a single kata represented the style of the time. In my opinion, he wasn’t talking about stances and techniques, but something deeper. Motobu was known for his very practical view of fighting. He famously emphasized the importance of Naihanchi, once stating that “Naihanchi is the foundation of karate.” His focus…