“Enbusen isn’t just about where you face when you perform kata. Enbusen is the opponent themselves. Enbusen represents the opponent’s attacks or movements, the practitioner must move accordingly to the movements of the opponent, and react to said attacks accordingly… Enbusen is the opponent.” Toshihiro Oshiro One of the biggest mistakes people make with kata […]
The Blueprint of Combat: Enbusen Is Not a Floor Pattern Read More »
There’s a difference between seeking guidance and expecting someone else to do your thinking for you. Over the years, I’ve had many people ask about how I approach training. How do I pressure test? How do I adapt traditional material for modern realities? How do I prepare students for unpredictability rather than compliance? I understand
Are You Teaching What You Understand? Read More »
I saw a video recently that reinforced everything I’ve been saying about how stagnant karate has become. It’s a recurring frustration. You see the caption – Black Belt Training Course – and you expect to see the refinement of high-level skills. The people tasked with leading the next generation. Instead, you see grown men and women with
The Ritual of Stagnation Read More »
Rank, in some environments, can become a trophy for time served, rather than a measure of functional ability. We see this often in the modern martial arts landscape: the rise of the “instant master”. Some individuals move from junior grades to self-appointed high ranks in a matter of years. They trade on titles because they
The “Black Belt” Myth: Why Rank Does Not Equal Survival Read More »
I have never understood the half-hearted approach to things. Anything. I will try my best, even if it’s not as perfect or as well executed as the next person, I will still try my best. What I don’t understand is how easily people step away when things become difficult, or how many settle for doing
Commitment Over Motivation Read More »
I came across a story told by Seikichi Iha (1931-2024) talking about the origins of kata. What stood out for me wasn’t the detail, it was the simplicity of the idea. He suggested that kata may have been formed by working backwards from what someone found useful in a fight – simply what worked for
Kata as Memory, Not Mystery Read More »
Whenever people ask me about karate or inquire about joining our dojo, a question that occasionally comes up is, “What style of karate do you practice?” But what does that really tell anyone? Does a style actually give insight into a practitioner’s skill or an instructor’s understanding of karate? There are those who place a
What Does ‘Style’ Really Tell You? Read More »
One of the biggest challenges for any instructor is keeping students focused on the basics. Why is this important? Because without a good solid foundation, everything built on top of it eventually starts to give way. It might not be obvious at first. In fact, it often looks quite the opposite. People get faster, sharper,
Basics: More Than Just Technique Read More »
I was practicing the kata Tensho recently – actually one of my favorite kata – and it got me thinking about its many variations. Not because it looks impressive, or because there’s a lot going on. In fact, it’s the opposite. There’s very little there on the surface. The movements are small, controlled, and repetitive.
Tensho: Why So Many Versions? Read More »
Better than a thousand days of diligent study is one day with a great teacher. It sounds right. It feels right, and most people accept it without question. But taken as it stands, it isn’t quite true. There’s no doubt that teachers can change the direction of someone’s training. Most of us can think of
One Day With a Great Teacher? Read More »
Before I get into this article, here’s a question. As a child, who taught you to walk? Many of us want to understand the movements in kata, and there is an assumption that someone will show us what they mean. The reality is that being shown is not necessarily a requirement, and in many cases,
Applications – You Have to Find Them Read More »
I watched a 95-year-old Okinawan Uechi-ryu master recently performing Sanseiryu, Shintoku Takara, and it stayed with me longer than I expected. Not because of anything dramatic, but because of how little seemed to be happening on the surface. There was no urgency, no obvious effort, and none of the exaggerated movement that people often associate with
What Survives at 95? Read More »
